Difference between revisions of "This/Wayfarers song"
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= Heap of bits and stuff = | |||
__TOC__ | |||
== Dinner planning == | |||
=== Roster === | |||
* Corn | |||
* Arsten | |||
* Coraline | |||
* Vardaman | |||
* Myrr | |||
* Kyrule | |||
* Rahah | |||
* Sherandris | |||
* Kerris | |||
* Sphinx | |||
=== Begin === | |||
<screenplay> | <screenplay> | ||
INT. | INT. GROUP ROOM AT SOME RESTAURANT | ||
Several folks already seated at a large, questionably shaped table: VARDAMAN | Several folks already seated at a large, questionably shaped table: VARDAMAN, KERRIS, CORALINE, and SHERANDRIS. Vardaman is nursing a mug of shalott, and Sherandris is perusing an upside down menu. | ||
A few look up and smile as ARSTEN and CORN approach. Arsten picks a seat at random and sits, Corn hesitates before sitting next to him. | A few look up and smile as ARSTEN and CORN approach. Arsten picks a seat at random and sits, Corn hesitates before sitting next to him. | ||
Line 13: | Line 32: | ||
ARSTEN | ARSTEN | ||
Water. | Water. | ||
WAITER | |||
(to Corn) | |||
And you? | |||
CORN | |||
(fidgeting uncomfortably) | |||
Er... | |||
CORALINE | CORALINE | ||
( | Get him some root beer. | ||
(quietly) | |||
Silly acolytes and your lack of shalott. | |||
The waiter nods and | Arsten looks confused, but doesn't correct the order. The waiter nods and leaves. | ||
VARDAMAN | |||
Pfft. | |||
The waiter nods and disappears. | |||
KYRULE | KYRULE and the angel MYRR emerge from a shadow. Kyrule sits first, then Myrr next to him. | ||
Coraline eyes Vardaman for a moment, then flags the waiter over when he appears to bring Corn his root beer. | Coraline eyes Vardaman for a moment, then flags the waiter over when he appears to bring Corn his root beer. | ||
Line 31: | Line 59: | ||
Corn sniffs the root beer and takes a sip. | Corn sniffs the root beer and takes a sip. | ||
Everyone sits around awkwardly for awhile. Some folks chatter. Corn asks what's going on and gets vagueness. | |||
Bowls of soup materialise in front of all of the seats and people poke at them. | |||
Finally RAHAH enters, sits down in the remaining seat, and does a faceplant into her bowl of soup, splashing Sherandris and Kyrule. | |||
CORN | CORN | ||
Um... | |||
CORALINE | |||
Welp, something tells me we're not getting any opening remarks from the organiser. | |||
Rahah gurgles a bit. Myrr looks at her, looking some sort of concerned. | |||
After a bit, Sherandris reaches over and pulls Rahah's head back out of her soup. | |||
SHERANDRIS | |||
(sticking his face in Rahah's) | |||
Hi. How are you? | |||
RAHAH | RAHAH | ||
I made a flying boat! | |||
( | |||
SHERANDRIS | |||
( | That's great. | ||
Sherandris drops her head back in the soup, splashing at Kyrule again, though it sails right through him. | |||
VARDAMAN | |||
Before I get any more drunk, could we maybe clarify who everyone is? I only recognise about half of you, and I'm not sure I want to be right about most of those. | |||
SHERANDRIS | |||
(indicating each in turn) | |||
Soup girl is Rahah, Mr. Grumpy there is Fred, that's Myrr, you're Vardaman... | |||
VARDAMAN | |||
Who is? | |||
SHERANDRIS | |||
(continuing over him) | |||
The lass with the lovely hair and not so lovely skill at staying alive is Coraline... | |||
CORALINE | |||
(indignantly) | |||
Hey! | |||
Vardaman starts coughing. | |||
SHERANDRIS | |||
That's Arsten Dren, the star of his own adventure game, and with him, the esteemed Corn. | |||
ARSTEN | |||
Huh? | |||
Sherandris indicates the seemingly empty seat next to Corn. | |||
SHERANDRIS | |||
There's a sphinx in that seat. | |||
Corn peers into the seat in surprise. | |||
SHERANDRIS | |||
(pointing toward the next) | |||
That's Kerris, great guy, don't dis his mum. Seriously, his mum is a lovely woman and doesn't deserve that. | |||
KERRIS | KERRIS | ||
You know my mom? | |||
SHERANDRIS | |||
I know all. I am Sherandris, the great and powerful Oz. | |||
CORN | CORN | ||
Oh, I see. | |||
KERRIS | |||
I don't. | |||
ARSTEN | ARSTEN | ||
(indicating Rahah) | |||
Um, is she dead? | |||
Sherandris and Kyrule both reach over and pull Rahah's head back out of the soup in what turns out to be a somewhat conterproductive joint effort. | |||
They give each other annoyed looks, and then Kyrule pushes the plate of soup away, and the soup still on Rahah's face slowly turns to dust and drifts off. | |||
Sherandris shakes her a bit, but it doesn't do much with Kyrule still also holding her. | |||
SHERANDRIS | |||
Oy. Wake up. | |||
Rahah bats him off and finally sits up under her own power, or would if Kyrule weren't still also holding her up. | |||
RAHAH | RAHAH | ||
I'm awake. I'm awake. | |||
Meanwhile Corn is trying to pet the sphinx. It keeps following his hand with its head, trying to get him to scratch it behind the ears. | |||
CORALINE | CORALINE | ||
Are you? Because you look like how I feel. | |||
VARDAMAN | |||
How do you feel? | |||
CORALINE | |||
Dead. | |||
RAHAH | RAHAH | ||
Sorry. I was running an experiment. Was holding the universe in my mind. Turns out this universe is kind of big. | |||
VARDAMAN | |||
Ya think? | |||
SHERANDRIS | |||
It's not ''that'' big. | |||
Coraline's order of blood arrives in a tall jug. She scarfs it down really quickly, hisses, and then just sits there looking freaked out and a lot more alive. | |||
Vardaman scoots away. | |||
CORALINE | CORALINE | ||
I think I forgot to eat again. | |||
VARDAMAN | VARDAMAN | ||
(muttering) | |||
And here I always heard the undead had ''worse'' hunger than the living... | |||
CORALINE | |||
Oh, sure. But I'd forget to eat then, too. It's just that now I don't pass out from it as a reminder that I need to eat anymore. | |||
Vardaman gives her a weird look, but she's pointedly watching Rahah. | |||
RAHAH | |||
Yeah, well, the test itself was a bit exponential, but on the plus side it looks like we're a go. | |||
VARDAMAN | VARDAMAN | ||
Who is? | |||
KERRIS | |||
A go for what? | |||
CORALINE | CORALINE | ||
Huh? | |||
RAHAH | RAHAH | ||
Right. | |||
She straightens up and addresses the table with her full presence, somehow commanding the attention of everyone present. Even the sphinx perks up a bit to eye her curiously. | |||
RAHAH | |||
As some of you may be aware, this universe is falling apart. We're going to put it right. | |||
VARDAMAN | |||
Oh, it's that easy, is it? | |||
RAHAH | |||
Given the nature of the destruction and its lack of substantial cause, it has to be that easy. Otherwise the only alternative would be outright impossibility. | |||
VARDAMAN | |||
This is the point where I'd keep snarking at you if I couldn't hear your thoughts. They're freaking me out. | |||
RAHAH | |||
Er, sorry about that. | |||
Here's the thing - reality is shrinking, and it has been for a long time now. Entire worlds have been destroyed, and the planes are simply disappearing as though they were never there. Even time itself, everything that has happened, is fading away. What is remembered is unremembered, and as a world disappears, it disappears too from the memories of the worlds, and the gods. | |||
(much more quickly) | |||
Unless you're Coraline, in which case it doesn't disappear from your memories and then you wind up hurling heavy objects at Kyrule when he has no idea what you're talking about. | |||
CORALINE | CORALINE | ||
(pointing) | |||
Relevant because that's how we figured this out in the first place. | |||
VARDAMAN | |||
(to Coraline) | |||
Wait, so how did ''you'' remember? | |||
CORALINE | CORALINE | ||
Um... magic? | |||
SHERANDRIS | |||
She's an Emissary. Her perspective must be absolute. | |||
CORALINE | |||
My perspective is like a kite, man. Hiiiiigh like... like a kite. | |||
RAHAH | |||
(sort of interrupting) | |||
The universe is dying. And the thing about death is you can't really fight it. You can, however, fight the things that cause it, and even here, no matter how ephemeral and insubstantial the cause may be, it is a cause. A darkness. A hunger, devouring the worlds, so ravenous that it consumes even the memory of the disappeared, writing them out of existence past and present. But it's something all the same. | |||
ARSTEN | |||
How exactly do you fight a darkness, then? Be easier if it were a dragon, wouldn't it? | |||
RAHAH | RAHAH | ||
(smiling) | |||
Exactly. And that's what Coraline's been doing, enacting a plan to give the darkness form, a shape that can be fought. It has been some 200 years. If it'll have worked, we should be able to see something by now. We just need to find it. | |||
KERRIS | |||
A big dragon? | |||
VARDAMAN | |||
And then what, you gonna blow it up? | |||
ARSTEN | |||
Would that work? | |||
KYRULE | KYRULE | ||
No. | |||
RAHAH | RAHAH | ||
Damn, that would be awesome. | |||
KYRULE | |||
That would be stupid. | |||
CORALINE | CORALINE | ||
(insistently) | |||
Awesome. | |||
KERRIS | |||
I'm with Fred. That sounds stupid. | |||
Coraline sighs. | |||
SHERANDRIS | SHERANDRIS | ||
I don't think we should blow it up either. Contrarywise, I think we should coat it in chocolate and serve it with couscous. | |||
KERRIS | |||
What. | |||
Waiters arrive with the rest of the orders. | |||
CORN | |||
Wait, so is it a dragon? | |||
</screenplay> | </screenplay> | ||
=== More stuff === | |||
<screenplay> | |||
KERRIS | |||
So basically you're all insane. | |||
KYRULE | |||
Apparently. | |||
CORN | |||
Sphinx. | |||
SPHINX | |||
Sphinx. | |||
CORN | |||
Sphinx? | |||
SPHINX | |||
Sphinx. | |||
VARDAMAN | |||
We're not seriously taking that thing, are we? | |||
RAHAH | |||
Yes. | |||
VARDAMAN | |||
Why? | |||
RAHAH | |||
To record the story. | |||
Line 162: | Line 331: | ||
SHERANDRIS | SHERANDRIS | ||
How do we get there? | How do we get there? | ||
Line 187: | Line 355: | ||
(she sighs) | (she sighs) | ||
It probably won't. | It probably won't. | ||
Line 195: | Line 362: | ||
RAHAH | |||
No horses. | |||
KERRIS | |||
What, you want us to walk? | |||
KYRULE | |||
Technology will not work in the dead lands. | |||
RAHAH | |||
Sure it will. Just need the right kind. | |||
KYRULE | |||
Any right kind will not remain the right kind indefinitely. | |||
RAHAH | |||
So we make it use an adaptive design. Don't worry, I'm like a god. I can totally make something work. | |||
KYRULE | |||
You are a god. | |||
RAHAH | |||
(looking surprised) | |||
Well, isn't that convenient! | |||
---- | |||
CORALINE | CORALINE | ||
So who's our party leader? | So who's our party leader? | ||
Line 229: | Line 426: | ||
</screenplay> | </screenplay> | ||
=== More planning === | |||
<screenplay> | <screenplay> | ||
Line 371: | Line 564: | ||
Shut up. | Shut up. | ||
</screenplay> | </screenplay> | ||
== Deadlands == | |||
<screenplay> | |||
CORALINE | |||
It looks almost normal. | |||
VARDAMAN | |||
If you ignore the colours, sure. | |||
CORALINE | |||
It's land. | |||
(she points out each bit) | |||
Hills and valleys. Lowlands there. Bits that used to be trees. A horizon in the mist. | |||
VARDMAN | |||
If that ''is'' mist. | |||
RAHAH | |||
It isn't. | |||
---- | |||
EXT. Boat deck; Deadlands | |||
RAHAH | |||
Hey guys! One of the probes hit a positive. Looks like a town. | |||
VARDAMAN | |||
A town? | |||
KYRULE | |||
Living? | |||
RAHAH | |||
Yeah, actually. Wanna check it out? | |||
VARDAMAN | |||
(standing up suddenly) | |||
Yeeeeees! | |||
(he composes himself) | |||
I mean, yes. Let's. | |||
Kyrule nods. A badger slides off a generator. | |||
CORALINE | |||
I'd certainly like to see life again. | |||
RAHAH | |||
Aiight. | |||
(pointing into the black) | |||
Thataway! | |||
The boat turns accordingly in the direction she's pointing. | |||
LATER: | |||
They come to the place thing. Gliding along through some outlier abandoned buildings, air and stuff much lighter, and possibly breathable, though the shield is still up. | |||
VARDAMAN | |||
Hold on, quick question before we go any further. | |||
(he looks toward the cabin, then back to the others) | |||
Do we trust the badgers? | |||
CORALINE | |||
To do what? | |||
VARDAMAN | |||
Exactly. | |||
Something about who will stay with the badgers... | |||
</screenplay> | |||
== Town in a bubble == | |||
<screenplay> | |||
VARDAMAN | |||
We left the other two and the badgers in the boat. | |||
Line 377: | Line 655: | ||
EXT. Somewhere in town | |||
Stuff. They're looking for somewhere non-broken for the folks to move. | |||
RAHAH | |||
(monotone voice) | |||
Working... | |||
Working... | |||
VARDAMAN | |||
Er... | |||
He pokes her. | |||
RAHAH | |||
I'm doing a computer impersonation, here. Sod off! | |||
KYRULE | |||
All the resources of the Realms at your disposal, and you're still working? | |||
RAHAH | |||
You ever actually tried being a processor? Only so many instructions per second, young man. | |||
Ah, got something. An Aureless world, generally uninhabited, got some holes, should be patchable. | |||
(to Sinnec) | |||
You'll have to do the bulk of that, I'm afriad. | |||
SINNEC | |||
What will be needed? | |||
RAHAH | |||
You're a creator, right? Create stuff, shove it in. | |||
KYRULE | |||
Really? | |||
RAHAH | |||
Yeah, since we'll be shoving this in the other way first, it should balance out and work. | |||
I think. | |||
SINNEC | |||
You think. | |||
RAHAH | |||
Reasonably sure. Not entirely. Can't be with this. But there's guts and there's bongs and sometimes they align in a good feeling that says, yes, yes, this is the cabbage. Go east along the purple scent. | |||
She gestures vaguely, then shrugs when the others give her weird looks. | |||
SINNEC | |||
(he starts laughing) | |||
Out here, that sounds about right. | |||
</screenplay> | |||
== More deadlands == | |||
<screenplay> | <screenplay> | ||
RAHAH | |||
We've got to keep going. | |||
VARDAMAN | |||
Where ''are'' we going? | |||
RAHAH | |||
Forward and on! Until we find out! | |||
VARDAMAN | |||
That's inspiring. Really. I'm so inspired right now, why, I don't know what to do with myself. | |||
Kyrule looks at him askance before deciding to ignore it. | |||
KYRULE | |||
Is there no method to our search? | |||
RAHAH | |||
No, not really. But given the nature of reality here - or the lack thereof - any plan would probably equate to random squiggles anyway. | |||
VARDAMAN | |||
So we just skipped right to the squiggles. | |||
RAHAH | |||
Precisely. | |||
CORN | |||
Inspiring. | |||
---- | |||
EXT. Boat deck; deadlands | |||
Rahah is alone standing watch and steering; the rest are below. Not a whole lot happens for a bit, then she looks around and frowns. | |||
RAHAH | |||
(consideringly) | |||
Hovercraft. | |||
With a gesture, she fills the hovercraft with eels, and happily looks over her her handiwork. | |||
RAHAH | |||
Wait, no, that... argh! | |||
With another gesture, she hastily disposes of the eels, looking decidedly embarrassed. | |||
Later someone finds an eel in their cereal. | |||
---- | |||
CORALINE | CORALINE | ||
I'm thinking Kralkatoric. | I'm thinking Kralkatoric. | ||
Line 433: | Line 823: | ||
Well I saw Jormag's Claw. Thing even landed on my gal once. | Well I saw Jormag's Claw. Thing even landed on my gal once. | ||
A badger falls off the obelisk between them and they stop and stare at it for a bit. | |||
RAHAH | RAHAH | ||
Er... right. | |||
Can we please not turn this into a videogame? | |||
CORALINE | CORALINE | ||
Why not? The Elder Dragons are about the right size, and it's definitely going to be a dragon. Too late for that. | Why not? The Elder Dragons are about the right size, and it's definitely going to be a dragon. Too late for that. | ||
Line 453: | Line 837: | ||
CORALINE | CORALINE | ||
So? | So? | ||
---- | ----- | ||
VARDAMAN | |||
Why did it have to be a dragon? Why couldn't it be a bunny or something? A nice, cute little harmless bunny. | |||
CORALINE | |||
Have you ever fought a legendary bunny? | |||
VARDAMAN | |||
A what? | |||
CORALINE | |||
It would be just as tough and dangerous regardless of the mask we give it. This way there's no disconnect between what is seen and what is experienced. | |||
Or something. | |||
RAHAH | |||
This way we avoid any resulting cognitive dissonance. | |||
CORALINE | |||
Sure. | |||
</screenplay> | |||
== Dragon scouting == | |||
<screenplay> | <screenplay> | ||
Kerris and Rahah return from somewhere | Kerris and Rahah return from somewhere scouting. | ||
RAHAH | RAHAH | ||
Line 472: | Line 877: | ||
Sherandris pulls a giant tub of cheese puffs from his massive robe. | Sherandris pulls a giant tub of cheese puffs from his massive robe. | ||
KERRIS | |||
Gross. | Gross. | ||
Line 481: | Line 886: | ||
Sherandris removes the lid and holds it out to her while she grabs a handful. | Sherandris removes the lid and holds it out to her while she grabs a handful. | ||
VARDAMAN | |||
(musing) | (musing) | ||
Now that's not a phrase I'd have expected before all this... a dragon as good news. | Now that's not a phrase I'd have expected before all this... a dragon as good news. | ||
Line 488: | Line 893: | ||
You need to get out more. | You need to get out more. | ||
CORN | |||
But we're already so far out there isn't anything left to be out | But we're already so far out there isn't anything left to be out. | ||
RAHAH | RAHAH | ||
Line 508: | Line 911: | ||
You're more dead. | You're more dead. | ||
CORALINE | |||
You died first. | You died first. | ||
Line 528: | Line 931: | ||
CORALINE | CORALINE | ||
Your face. | Your face. | ||
---- | |||
CORALINE | |||
You died more thoroughly. | |||
RAHAH | |||
No you. | |||
CORALINE | |||
No you. | |||
VARDAMAN | VARDAMAN | ||
This again? Really? | |||
</screenplay> | </screenplay> | ||
== Ego play == | |||
<screenplay> | |||
RAHAH | |||
People dream. Worlds dream. Some dreams I give, and some dreams I take, but in dreams I am always there, with you at every pass, every twist, every terror. I am Dreamer and the Dream; in your nightmares you give me strength, in your daydreams you sing my praises. | |||
So prayer? Prayer is implicit. There is no need for prayer when you are with me every time you close your eyes, every time you let your mind wander. I am beyond prayer. I am Dream. | |||
And I know your dreams too, Kerris of Attrel. It was for them that I chose you for this venture. | |||
KERRIS | |||
You expect me to be impressed by that? | |||
RAHAH | |||
Of course not. I expect you to be you, which is a whole lot more interesting. | |||
KERRIS | |||
Really. | |||
RAHAH | |||
You're an oddity, Kerris. You stand fast on your own, and yet your dreams do not haunt you. | |||
You are well-adjusted and extremely high-functioning despite situations that would put others at risk of PTSD. | |||
CORALINE | |||
Oh, now you're suddenly a psychoanalyst, are you? | |||
RAHAH | |||
(suddenly speaking much more normally) | |||
No, but I played one on TV. | |||
KERRIS | |||
You hired me because of my dreams? | |||
RAHAH | |||
That, and we needed someone who could see the world with eyes unblinded by faith. | |||
VARDMAN | |||
The badgers couldn't do that? | |||
RAHAH | |||
The badgers are badgers. | |||
A badger makes badger noises. | |||
KERRIS | |||
Aren't you god people always going on about how important it is to ''have'' faith? | |||
RAHAH | |||
Most god people are idiots. Can't say I blame them, though - idiocy can be quite fun. | |||
Line 538: | Line 1,004: | ||
RAHAH | |||
Don't worry. You can trust us. Anything you do, we'll understand. It's pretty horrible. | |||
VARDAMAN | |||
Does that include the badgers? | |||
RAHAH | |||
This does include the badgers. | |||
VARDAMAN | |||
You're right. That is pretty horrible. | |||
</screenplay> | |||
== Randoms == | |||
<screenplay> | <screenplay> | ||
RAHAH | |||
I don't know about Kyrule. But Sherandris, he is mine. I know his heart like a piece of my own. | |||
CORALINE | |||
Weren't you guys a thing back in the day? You and Kyrule. | |||
RAHAH | |||
Aye, but a lot can change in a few thousand years, and now my wee little godling is all grown up! | |||
She tears up; Kyrule glares at her. | |||
---- | |||
CORALINE | |||
And then there was that time I nearly got raped by a yak during my sojourn in Canada. | |||
---- | |||
CORN | CORN | ||
Do you ever miss your home? The world where you're from? | Do you ever miss your home? The world where you're from? | ||
Line 554: | Line 1,061: | ||
== Engame == | |||
The gods gathered in the darkness, in the unnatural glow, in anticipation of the apocalypse. | |||
Alyr there, the lady of temptation, goddess of cats, with spear at the ready... | |||
Kyrule there, lord of death, keeper of souls, waiting, always waiting... | |||
Nausica there, lord of the depths... | |||
Eapherod saw them, and others, and smiled. Almost there. The plan, Coraline's plan, would soon come to pass. | |||
Darkness swirled in the depths of the abyss in which they stood. | |||
== Real endgame == | |||
"Don't break the world," Coraline said. | |||
Bertram looked back, surprised. "What?" he said. | |||
Coraline smiled. "Don't break the world," she repeated. "It's what we always say to each other, in my family. I told Kyrule and he didn't understand, but of course not. None of us ever do. We just say it and say it and say it..." She trailed off. | |||
Finally Bertram said, "Do you understand now?" | |||
She thought it over. "I dunno." Suddenly she smiled at the Voice again, resonating mirth. "But that's what we're going to do. Kyrule and the other loons, they're'a keep the gods of men safely out of the way, and maybe even kill a dragon in the process. And we're going to wreck everything they represent where they're out." | |||
Bertram stared at her. "You can't be serious." But the realisation nagged. She always did this, wording things in the worst way possible. She was serious. "No," he said. "No!" | |||
"Yes," a silky voice said behind him. A sphinx. He realised the Hall was slowly filling with sphinxes, curling their way inside, weaving about the legs of the Dead. | |||
Coraline smiled at them and whispered something sinister. Then she turned back to Bertram. "That's the thing about gods, at least the ones worth knowing at all. Way smarter than they look." She smiled, and indicated the sphinxes. "Trust in me, Bertram. Trust in them." | |||
A sphinx jumped onto her shoulders and she scratched it behind its ears. Another hopped onto Bertram's feet and helpfully said, "Yes." | |||
"The sphinxes?" he asked. They were generally just considered an annoyance, even when the had filled the city with their hungry voices. The idea of them being important... and what were they doing back? Eapherod had removed them years ago. | |||
"Think!" Coraline pressed. "All these aeons, gathering up the stories of the universes, bringing them all together. And yet their hunger is never sated, because all those stories are little. They're nothing by themselves, nothing to the story of stories, the story that all those stories make up. That is the story they have been waiting for, the story their entire existence has predicated." | |||
She grinned slowly, pinning him with her strange green eyes. "We are going to break the world, Bertram. We will destroy it all, and allow it to fade to oblivion." | |||
"But the dragon..." Bertram began. | |||
Coraline interrupted him, shaking her head. "The dragon is a farce. A face to the consciousness, yes, but ultimately its presence will serve as little more than a distraction. What they would fight is oblivion, and you cannot fight oblivion. It just is. So you allow it to happen." She waved her hand about. "And then you say, 'Okay, you had your fun. I'm putting everything back now.' and it grudgingly sidles off into the next world. Or something." | |||
"That makes no sense," Bertram said. | |||
Coraline shrugged. "Yeah, well, that's how it is." | |||
A sphinx said, "Story," and curled around Coraline's legs. | |||
Bertram stared at her. They were surrounded now, with sphinxes filling every corner of the Hall, even starting to pile atop each other and hang from the architecture of the ceiling, but she seemed completely calm, like this was normal, expected. | |||
She reached down to pet the sphinx, but her hand encountered another one entirely. "Soon, dear one. Soon," she whispered regardless, then turned her attention back to Bertram. "I need you to back me, or this won't work. Think of it like a real dragon, I suppose. A hungry dragon, searching for food..." | |||
He tried to reason it. "You mean you want to get rid of all the food when it shows up so it'll move on? What's to stop it from coming back?" | |||
"The same thing that gives it presense currently," she said. "We just show it we mean business; that this is our existence to wreck, and we would rather do so than allow it." | |||
"Um..." Bertram started to say, then said instead, "What do you need me for?" | |||
The sphinxes were covering the entire floor now, and still flowing in through the front doors like a sort of horrible fluffly fluid. Some were flying around, others climbing each other, others still simply sitting wherever they landed. Amidst it all was a muttering and insistence, and an overwhelming sense of anticipation. | |||
"You're the Deathgod's Voice," Coraline said. "I'm his Hand. He still needs to act for it to mean anything. Right now we're the only things in this verse that are him, and if we can't act as one..." she trailed off, then said, "He'll finish it, as him. He's King. He must. But we still have to start it." | |||
Bertram stared at her for a bit, then sighed in exasperation, as much at the sphinxes as at what she was saying. "I don't understand any of that," he said, but held up a hand when Coraline started to respond, and them jerked it away when a sphinx nearly flew into it. "But I'll follow you because you're you. Ever since you showd up here waving a bottle of whiskey-" | |||
"Brandy," Coraline corrected. | |||
"Ever since you showed up waving a bottle of whiskey issuing demands," he continued, "you've always been onto something. So just tell me what to do." | |||
Coraline glowered at him. Details were important, at least to her, and there he'd just been rubbing it in. | |||
"Well?" Bertram said, interrupting her irritation. | |||
She snapped out of it and pushed a sphinx off her head. "Right, so we, as the, erm, appendages of the god of Death..." She interrupted herself by suddenly snorting with laughter. | |||
"That's not funny," Bertram said flatly. | |||
" | "It is funny!" Coraline insisted, then burst into outright giggling. "Appendages." | ||
" | "You know this is serious?" he said. A sphinx sat on his head, emphasising the seriousness, and he swatted it away. | ||
The giggles continued and broke out into full out laughter, despite her struggles, before she finally managed stifle it. "Yeah, sorry," she said. "It's just funny." | |||
" | Bertram turned away, shaking his head. "If you were not the Hand," he said slowly, but didn't finish the thought when another sphinx fell on him. | ||
" | "Well, that's why it's so funny," Coraline said, then looked around. They were in a shrinking bubble of open air, with sphinxes encroaching around them. "Anyway, sphinxes," she said hurriedly. "We're wrecking everything, then using the sphinxes to retell the story and put everything back. That's basically the plan." | ||
"Yes?" Bertram said. | |||
"We just stay here and... do stuff." Coraline said. "I'll start, you just join in whenever." | |||
"That's specific." He tried to move, but his legs were buried in sphinxes. | |||
Coraline gave them a worried look, then said, "Yeah, well, as plans go it's not a particularly interesting one. It's Kyrule and the others proper who will be seeing the real action. I... hope." | |||
"Should we move?" Bertram suggested. | |||
"Yeah..." | |||
With a quick shift they transitioned into another layer of the city, another Hall still full of sphinxes, but still with room to move. | |||
== Departure == | |||
"So I suppose I've got two options," Sherandris said. "I could go with them, or stay with you." | |||
Coraline gave him a worried look, and then said, pointing emphatically toward the others, "I'd go with them." | |||
He smirked and sidled over to the other gods. |
Latest revision as of 21:11, 16 October 2015
Heap of bits and stuff
Dinner planning
Roster
- Corn
- Arsten
- Coraline
- Vardaman
- Myrr
- Kyrule
- Rahah
- Sherandris
- Kerris
- Sphinx
Begin
More stuff
More planning
Deadlands
Town in a bubble
More deadlands
Dragon scouting
Ego play
Randoms
Engame
The gods gathered in the darkness, in the unnatural glow, in anticipation of the apocalypse.
Alyr there, the lady of temptation, goddess of cats, with spear at the ready...
Kyrule there, lord of death, keeper of souls, waiting, always waiting...
Nausica there, lord of the depths...
Eapherod saw them, and others, and smiled. Almost there. The plan, Coraline's plan, would soon come to pass.
Darkness swirled in the depths of the abyss in which they stood.
Real endgame
"Don't break the world," Coraline said.
Bertram looked back, surprised. "What?" he said.
Coraline smiled. "Don't break the world," she repeated. "It's what we always say to each other, in my family. I told Kyrule and he didn't understand, but of course not. None of us ever do. We just say it and say it and say it..." She trailed off.
Finally Bertram said, "Do you understand now?"
She thought it over. "I dunno." Suddenly she smiled at the Voice again, resonating mirth. "But that's what we're going to do. Kyrule and the other loons, they're'a keep the gods of men safely out of the way, and maybe even kill a dragon in the process. And we're going to wreck everything they represent where they're out."
Bertram stared at her. "You can't be serious." But the realisation nagged. She always did this, wording things in the worst way possible. She was serious. "No," he said. "No!"
"Yes," a silky voice said behind him. A sphinx. He realised the Hall was slowly filling with sphinxes, curling their way inside, weaving about the legs of the Dead.
Coraline smiled at them and whispered something sinister. Then she turned back to Bertram. "That's the thing about gods, at least the ones worth knowing at all. Way smarter than they look." She smiled, and indicated the sphinxes. "Trust in me, Bertram. Trust in them."
A sphinx jumped onto her shoulders and she scratched it behind its ears. Another hopped onto Bertram's feet and helpfully said, "Yes."
"The sphinxes?" he asked. They were generally just considered an annoyance, even when the had filled the city with their hungry voices. The idea of them being important... and what were they doing back? Eapherod had removed them years ago.
"Think!" Coraline pressed. "All these aeons, gathering up the stories of the universes, bringing them all together. And yet their hunger is never sated, because all those stories are little. They're nothing by themselves, nothing to the story of stories, the story that all those stories make up. That is the story they have been waiting for, the story their entire existence has predicated."
She grinned slowly, pinning him with her strange green eyes. "We are going to break the world, Bertram. We will destroy it all, and allow it to fade to oblivion."
"But the dragon..." Bertram began.
Coraline interrupted him, shaking her head. "The dragon is a farce. A face to the consciousness, yes, but ultimately its presence will serve as little more than a distraction. What they would fight is oblivion, and you cannot fight oblivion. It just is. So you allow it to happen." She waved her hand about. "And then you say, 'Okay, you had your fun. I'm putting everything back now.' and it grudgingly sidles off into the next world. Or something."
"That makes no sense," Bertram said.
Coraline shrugged. "Yeah, well, that's how it is."
A sphinx said, "Story," and curled around Coraline's legs.
Bertram stared at her. They were surrounded now, with sphinxes filling every corner of the Hall, even starting to pile atop each other and hang from the architecture of the ceiling, but she seemed completely calm, like this was normal, expected.
She reached down to pet the sphinx, but her hand encountered another one entirely. "Soon, dear one. Soon," she whispered regardless, then turned her attention back to Bertram. "I need you to back me, or this won't work. Think of it like a real dragon, I suppose. A hungry dragon, searching for food..."
He tried to reason it. "You mean you want to get rid of all the food when it shows up so it'll move on? What's to stop it from coming back?"
"The same thing that gives it presense currently," she said. "We just show it we mean business; that this is our existence to wreck, and we would rather do so than allow it."
"Um..." Bertram started to say, then said instead, "What do you need me for?"
The sphinxes were covering the entire floor now, and still flowing in through the front doors like a sort of horrible fluffly fluid. Some were flying around, others climbing each other, others still simply sitting wherever they landed. Amidst it all was a muttering and insistence, and an overwhelming sense of anticipation.
"You're the Deathgod's Voice," Coraline said. "I'm his Hand. He still needs to act for it to mean anything. Right now we're the only things in this verse that are him, and if we can't act as one..." she trailed off, then said, "He'll finish it, as him. He's King. He must. But we still have to start it."
Bertram stared at her for a bit, then sighed in exasperation, as much at the sphinxes as at what she was saying. "I don't understand any of that," he said, but held up a hand when Coraline started to respond, and them jerked it away when a sphinx nearly flew into it. "But I'll follow you because you're you. Ever since you showd up here waving a bottle of whiskey-"
"Brandy," Coraline corrected.
"Ever since you showed up waving a bottle of whiskey issuing demands," he continued, "you've always been onto something. So just tell me what to do."
Coraline glowered at him. Details were important, at least to her, and there he'd just been rubbing it in.
"Well?" Bertram said, interrupting her irritation.
She snapped out of it and pushed a sphinx off her head. "Right, so we, as the, erm, appendages of the god of Death..." She interrupted herself by suddenly snorting with laughter.
"That's not funny," Bertram said flatly.
"It is funny!" Coraline insisted, then burst into outright giggling. "Appendages."
"You know this is serious?" he said. A sphinx sat on his head, emphasising the seriousness, and he swatted it away.
The giggles continued and broke out into full out laughter, despite her struggles, before she finally managed stifle it. "Yeah, sorry," she said. "It's just funny."
Bertram turned away, shaking his head. "If you were not the Hand," he said slowly, but didn't finish the thought when another sphinx fell on him.
"Well, that's why it's so funny," Coraline said, then looked around. They were in a shrinking bubble of open air, with sphinxes encroaching around them. "Anyway, sphinxes," she said hurriedly. "We're wrecking everything, then using the sphinxes to retell the story and put everything back. That's basically the plan."
"Yes?" Bertram said.
"We just stay here and... do stuff." Coraline said. "I'll start, you just join in whenever."
"That's specific." He tried to move, but his legs were buried in sphinxes.
Coraline gave them a worried look, then said, "Yeah, well, as plans go it's not a particularly interesting one. It's Kyrule and the others proper who will be seeing the real action. I... hope."
"Should we move?" Bertram suggested.
"Yeah..."
With a quick shift they transitioned into another layer of the city, another Hall still full of sphinxes, but still with room to move.
Departure
"So I suppose I've got two options," Sherandris said. "I could go with them, or stay with you."
Coraline gave him a worried look, and then said, pointing emphatically toward the others, "I'd go with them."
He smirked and sidled over to the other gods.