Difference between revisions of "This/Survivors song"

A fragment of the Garden of Remembering
m (...whee.)
(Don't lose this, sober self.)
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Kalona was a cliché. The size of shopping area, perhaps, or an apartment complex, but it was the entire town, walled about in stone and eerily silent, an oasis of silence, cradled amidst the trees. Not even cawing disturbed the whispers.
And there should have been cawing. The heavy gate was ajar, but before it were the bodies: three of them, collapsed in the road, discoloured corpses chilled but not quite frozen, arrows protruding from their backs. No sign of the shooters on the walls. No sign why the gate would still be open, if it were so imperative that nobody get out. But that would had been almost two weeks ago now. Now there was only silence.
As she approached, Coraline gripped her staff. She felt strangely vulnerable. This wasn't like the games, where one hit never kills and the player character could always be sure of a quick way out in case of danger - be it a powerful spell or simply running away.
This was much more interesting.
Coraline ducked through the partially open gate and tried to take in everything at once, staff at the ready. It didn't work; instead she nearly hit her head with the staff and got her foot stuck in an upturned wicker basket she'd failed to spot on the ground. She stopped and tried again.
There wasn't anyone about. No movement amidst the houses and workshops, though something creaked somewhere. Within the walls, the streets widened considerably, but they were strewn with objects that didn't make much sense, out of context and unrecognisable. A pile of sheets? Half a cart? A kitchen chair, a shovel, some rocks. A foot.
She heard a creak again, but nothing of the view had changed. Above her a flag flapped half-heartedly. She pulled the basket off her foot.
The buildings were empty, at least of people. Not knowing what to look for, she searched for books, but found none. No people, no books, not even any bodies within the walls. Nothing besides the foot that had been lying so lonesomely in the street, in that graveyard of misplaced objects, simply empty houses. It appeared as though the occupants had tried to pack up and leave, with shelves bare and tables cleared quickly, while others... in others, it was as though the occupants had simply vanished without warning. Fires burned down to ash, tables set, food out, tools in their places, like a proverbial ghost town.
Leaving one of the houses, she heard the creak again behind her, much louder. She jumped and then realised it was the door, simply reminding the world that it was still there. It was still a door. It still functioned.
==== stuff ====
==== stuff ====


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"Hello, a visitor?" someone said behind her. Coraline turned and found a rather pleasant-looking woman, middle-aged, dressed in autumn colours, standing in the doorway.
You entered the temple, saw the statue, golden in a shaft of light. It reminded you of Lyssa, almost, but it clearly wasn't. A sister, perhaps, the equivalent in this verse?
 
Then the woman showed up. She seemed lost but content, afraid but at peace, a walking contradiction, entirely in place with the dead town outside, but also unequivically alive. Why?
 
Greeting and response.
 
Descriptions and masks.
 
From elsewhere.
 
Everyone dead.
 
The world's end, and nobody will remember. Just the end.
 
But why? How is it the end? What happened?
 
He came one day, asked for shelter, for aid. We didn't know what he was, and this proved our downfall.
 
The hungry man? With eyes of black?
 
One and the same. He was coherent then. Didn't suggest the danger, just seemed lost. But the eyes... the eyes were odd. We should have known.
 
But you didn't. Strange folks happen. How do you tell the difference?
 
They are dangerous. We should have known.
 
How?
 
Don't know. But we should have, shouldn't we? The gods would not desire our end so.
 
The gods do what the gods do. Everything ends eventually.


"Oh, hi," she said. The words felt odd, as though they were the wrong ones, as lost as she was. And there were so many questions, and yet she didn't even know enough to ask.
What, we should just accept it? Embrace our deaths?


"That's Alyre," the woman said. "Goddess of love, beauty, passion..."
Of course not. Fight to the end. But ends do come. And ends are beginnings as much as anything else.


"Masks?" Coraline asked without thinking.
You talk like a priest.


The woman smiled. "Sometimes. But that depends on the masks."
I talk like someone who's seen a piece of the world. Things always change. Things die, and things come back. The forest burns down in a ravenous blaze, but in the ashes there is rebirth. Seeds that do not open until the blaze, sapplings that will not grow without the fire.
It's just life. Things change. Things get lost. Sometimes everyone dies, but the world moves on.


But you say we shouldn't accept it.


...
Of course not. Fight, and keep fighting. These are our lives. Ours! Those who come after will fend for themselves!
 
Like the spring fights the winter?
 
Mayhap. Not much of a fight, though. More of a surrender. The nights fade, the summer arises. Or so it is at home, at least.
 
Home.
 
Yeah. ''Sad.''
 
Where are you from, then, if not about here?
 
Turku.
 
Never heard of it.
 
It's far. Very far. A world not unlike this, but also very unlike this. I can show you, if you like.
 
Show me?
 
Pieces. Not of Turku, but of what we've dreamed up - in Turku and around... ''Sure. Call the world after the city. Why not.''
 
''gwf-eu-ab''
 
It's a perfectly ordinary book, really. From my world. What it depicts is another entirely. A concept. Several concepts. Possibilities for a story, a dream, that people from all over the world could enter and play out. The city, Kaineng. The Jade Sea, the Echovald. Island Guardian and morsas. Kurzicks and Luxons. It was brilliant and beautiful, and from these paintings it came to life. These were the people. These were who we were there to protect. Peasants, perhaps. Nobles. Towering spires and narrow corridors, a city that destroyed the land.
I got so lost there, so many times. Didn't learn my way for years. Biggest city since Lion's Arch. Bigger still than anything we'd seen. Wyzima. Neverwinter. Divinity's reach...
'Course it was still smaller than Turku. The cities in stories never made it quite to reality. Reality is insane. The entire forest, the entire city. Center and suburbs and commerce and warehouses. Streets upon streets and blocks upon blocks. Fantasy never lives up to it.
 
Fantasy?
 
My world is a world built on fantasy. It's too big to understand without it, I suppose. So we tell stories. We venture through other worlds, and we tell ourselves who we are.
 
And this?
 
That's what this is. Fantasy.
My childhood, growing up. Memories in the pages.


But how? How is this possible?


"There is something I would ask of you."
This? The book? Simple.
It began with the printed word, and from there it simply exploded and became the world as we wkno ity. The world of light.


"Oh?"
Light?


"Kill me."
Literally speaking, at least. We create entire worlds, light and force and sound, objects in space rendered in light... and we walk through them and explore. An entire game that is nothing but a path and woods. A world to fall into that is simply land and sky. Trees and dragons and a minimal plot fill in details, but the land and the sky are what make it real. Without those there is nothing.


"What?!"
I wish I could see it.


"End my life. Send me to Kyrule."
But you can. All we ever created is based on the world. On reality. And you see it here, without distraction.


"To...?" Coraline stared at her. "But... why?"
That doesn't make any sense.


"I've been taken," the priestess said. "I can feel it, even now, changing me, eating who I am."
It never does until it does. And then it's too late.


"Taken...?" She realised there was too much at stake to continue the bluff. "What exactly does that even mean?"
''Pages flipped. Regions turned. See the dredge, the moles... it's like coming home.


The priestess frowned at Coraline. "It's... a curse. A corruption. It's passed through... well, people lose themselves when they're taken. The more they lose, the more they want it back, but of course that's impossible. Gone is gone. So they take from others when they don't have - memories, self, sanity. Sometimes the others just die, if they're lucky. Other times... they wind up taken as well, and they, too, lose themselves, and they, too, begin to hunger..." She looked at Coraline, pleading her to understand. "It eats the mind, but more than that, it eats the soul."
And the people? What of the people?


"And there's no cure?"
That's the thing. Nobody knows. We lost contact some 200 years ago. The memories of Cantha are all we have left.


"Not... exactly. But there is a way out, if you will. If I die now, my soul will be intact."
What?


"So why can't you..."
It's the story. This was then. Time passed and we moved onto the next story. Now it's all a mystery.
You're right, though. Where are the people?


"Do it myself?"
The people?


"Yeah."
Here. Kalona.
There aren't even any bodies.


"I've never been strong, and this... it's stronger. Fear of death is stronger, it always is. It's why the taken keep fighting so hard even after they've already lost everything. I don't want that, but I can't stop it! Not by myself."
''She looks away.''


"But I can't..."
What? What happened to them?


"Please! Help me die as me."
They're gone. there's nothing to see.


"And what, just..." Coraline made a knifing motion, "Stab you or something?"
Nothing?


The priestess smiled. "That would work."
''She looks sad, but won't say.''
You should go. There's nothing for you here.


"Bit painful."
Okay.
Where, then?
The villages to the south are dead, burned. To the north is winter.


"It would be nothing to the torment I will go through otherwise."
No. North the mountains end quickly. Through the pass, three days will take you to Aeries, in Verash. There you will find answers.


"Nnnrg," Coraline said. "Do you have any medicine?"
Answers? ''She didn't even know the questions.''


"What?"
Go. Alyre wills it.


"Pills or..." but it was clear the woman had no idea what she was talking about; if she had she'd probably have done it already. "Alright, um. You're... sure about this?"
Well, if the gods say so...


"Yes. As Alyre is my witness."
''She smiled.''
You don't believe.


Coraline glanced at the statue and took a deep breath. "Alright."
I don't know enough to know just what to think.


How could I even ask, then?


Ask?


"May you go to your gods as you."
It's too much. It'd be too much for anyone.





Revision as of 08:16, 12 December 2013

stuff

bag/pockets:

  • wallet
  • phone
  • bluetooth
  • mouse
  • three flashdrives
  • bus passes
  • keychain
  • cuddly sea-anemone toy
  • several receipts
  • two books - House of Leaves, Guild Wars Factions art book
  • one glove
  • pens/pencils
  • notebook/pad thingie
  • wad of eraser - 'kneaded rubber'
  • floss
  • screwdriver set
  • wirecutters
  • pliers
  • two knives
  • set of upholstery needles
  • file
  • pair of chopsticks
  • small scissors
  • MAGNETS
  • hairclips
  • sunglasses
  • extra socks
  • small mask (filigree-style)
  • tube of ointment
  • superglue
  • deodorant
  • lip colour (paint stuff and balm)
  • large wad of aluminium foil
  • empty metal water bottle
  • half-eaten box of crackers

...

Hells, any of it could be relevant.

wearing:

  • jeans
  • xkcd sysadmin t-shirt
  • huge-ass coat
  • scarf
  • beanie
  • mittens
  • boots

...and a staff weapon. Dzang, girl, you go into the world with an odd assortment of junk.




You entered the temple, saw the statue, golden in a shaft of light. It reminded you of Lyssa, almost, but it clearly wasn't. A sister, perhaps, the equivalent in this verse?

Then the woman showed up. She seemed lost but content, afraid but at peace, a walking contradiction, entirely in place with the dead town outside, but also unequivically alive. Why?

Greeting and response.

Descriptions and masks.

From elsewhere.

Everyone dead.

The world's end, and nobody will remember. Just the end.

But why? How is it the end? What happened?

He came one day, asked for shelter, for aid. We didn't know what he was, and this proved our downfall.

The hungry man? With eyes of black?

One and the same. He was coherent then. Didn't suggest the danger, just seemed lost. But the eyes... the eyes were odd. We should have known.

But you didn't. Strange folks happen. How do you tell the difference?

They are dangerous. We should have known.

How?

Don't know. But we should have, shouldn't we? The gods would not desire our end so.

The gods do what the gods do. Everything ends eventually.

What, we should just accept it? Embrace our deaths?

Of course not. Fight to the end. But ends do come. And ends are beginnings as much as anything else.

You talk like a priest.

I talk like someone who's seen a piece of the world. Things always change. Things die, and things come back. The forest burns down in a ravenous blaze, but in the ashes there is rebirth. Seeds that do not open until the blaze, sapplings that will not grow without the fire. It's just life. Things change. Things get lost. Sometimes everyone dies, but the world moves on.

But you say we shouldn't accept it.

Of course not. Fight, and keep fighting. These are our lives. Ours! Those who come after will fend for themselves!

Like the spring fights the winter?

Mayhap. Not much of a fight, though. More of a surrender. The nights fade, the summer arises. Or so it is at home, at least.

Home.

Yeah. Sad.

Where are you from, then, if not about here?

Turku.

Never heard of it.

It's far. Very far. A world not unlike this, but also very unlike this. I can show you, if you like.

Show me?

Pieces. Not of Turku, but of what we've dreamed up - in Turku and around... Sure. Call the world after the city. Why not.

gwf-eu-ab

It's a perfectly ordinary book, really. From my world. What it depicts is another entirely. A concept. Several concepts. Possibilities for a story, a dream, that people from all over the world could enter and play out. The city, Kaineng. The Jade Sea, the Echovald. Island Guardian and morsas. Kurzicks and Luxons. It was brilliant and beautiful, and from these paintings it came to life. These were the people. These were who we were there to protect. Peasants, perhaps. Nobles. Towering spires and narrow corridors, a city that destroyed the land. I got so lost there, so many times. Didn't learn my way for years. Biggest city since Lion's Arch. Bigger still than anything we'd seen. Wyzima. Neverwinter. Divinity's reach... 'Course it was still smaller than Turku. The cities in stories never made it quite to reality. Reality is insane. The entire forest, the entire city. Center and suburbs and commerce and warehouses. Streets upon streets and blocks upon blocks. Fantasy never lives up to it.

Fantasy?

My world is a world built on fantasy. It's too big to understand without it, I suppose. So we tell stories. We venture through other worlds, and we tell ourselves who we are.

And this?

That's what this is. Fantasy. My childhood, growing up. Memories in the pages.

But how? How is this possible?

This? The book? Simple. It began with the printed word, and from there it simply exploded and became the world as we wkno ity. The world of light.

Light?

Literally speaking, at least. We create entire worlds, light and force and sound, objects in space rendered in light... and we walk through them and explore. An entire game that is nothing but a path and woods. A world to fall into that is simply land and sky. Trees and dragons and a minimal plot fill in details, but the land and the sky are what make it real. Without those there is nothing.

I wish I could see it.

But you can. All we ever created is based on the world. On reality. And you see it here, without distraction.

That doesn't make any sense.

It never does until it does. And then it's too late.

Pages flipped. Regions turned. See the dredge, the moles... it's like coming home.

And the people? What of the people?

That's the thing. Nobody knows. We lost contact some 200 years ago. The memories of Cantha are all we have left.

What?

It's the story. This was then. Time passed and we moved onto the next story. Now it's all a mystery. You're right, though. Where are the people?

The people?

Here. Kalona. There aren't even any bodies.

She looks away.

What? What happened to them?

They're gone. there's nothing to see.

Nothing?

She looks sad, but won't say. You should go. There's nothing for you here.

Okay. Where, then? The villages to the south are dead, burned. To the north is winter.

No. North the mountains end quickly. Through the pass, three days will take you to Aeries, in Verash. There you will find answers.

Answers? She didn't even know the questions.

Go. Alyre wills it.

Well, if the gods say so...

She smiled. You don't believe.

I don't know enough to know just what to think.

How could I even ask, then?

Ask?

It's too much. It'd be too much for anyone.




Coraline woke up one morning, walked into her pub, and was immediately surprised to find that it was indeed a pub and not a library, though really the only significant difference in practice is that libraries tend to be more dangerous. Even ones without wheels.

So it was going to be one of those days, was it? Fine, then.

This was, after all, very much her pub. The counter gleamed because she made it gleam; the busboy scurried because she made him scurry; the shelves were full because she kept them full. So she didn't know all the mixes by heart; if someone wanted something special, they could either tell her what to do or suffer. She knew enough. The basics, at any rate. The usuals.

And she knew breakfast. Breakfast was what she had for lunch, and it usually involved an egg, some toast, a whop of coffee, and more brandy than she was likely to admit, and this she made now, munching her toast as one of the overnights came down burdened with a hangover. Wordlessly she passed him a coffee and moved onto a vague cleaning of a random glass. Barkeeps were always cleaning a random glass when someone else was around, so she did this too.

The overnight stared glumly at his coffee, disinclined to move.

"Drink it," she said. "It'll help." Not that she'd know. She had never had a hangover in her life. The odd headache waking up, yes, but when it was solved so simply as by drinking a glass of water, that hardly counted as a hangover, so far as Coraline was concerned. Hangovers were something else, something more mysterious, involving the aftereffects of alcohol killing various parts of the body, most assuredly. But these were the remedies, and so she administered them, good barkeep and innkeep that she was. Shuffled those too drunk into rooms for the night, administered to the hangovers in the morning, and wandered off into the day that was the afternoon.

It was a life, of sorts, though not what she would ever have expected. Coraline was a librarian in her heart of hearts, and she had trained to be a librarian. She even had a piece of paper attesting to this, though it was in another world in another language, where everyone had probably assumed her missing, and then, as the months and years went by, probably assumed her dead. But this wasn't that world; here words were precious, and libraries were rare, and trucks were at best a distant dream. Here she did what she could, and that was booze. It was really the same sort of thing, just liquids instead of words. Strange that either one could be so very effective at passing others into the worlds of dreams, but that suited her fine.

"Seriously, drink it," she said.

The guy, dressed in the typical rural attire of the area, stared at his coffee as though it were some strange and foreign potion, then downed it in three solid gulps.

Well, that'll do it, Coraline thought, absently wiping a random glass mug.

He stared at his own empty mug.

He seemed to stop.

Then he startled, twitched, stood up suddenly, and fell over.

Coraline peered over the counter, somewhat worried that she'd finally managed to accidentally kill someone, but the guy was already getting up. He shrugged himself off, looked at her suspiciously, and then asked, quietly, "Er, how much will that be?"

"Eight cela, including room and board. Breakfast is also on, if you want it."

"Er," he said, passing her the coins, "What's breakfast?"

"I made toast." Coraline was not known for her culinary expertise, something about how she usually didn't bother since the ingredients on hand around here tended to be absolutely worthless anyway.

"Okay," he said.

Wordlessly she passed him a piece of toast. He wandered out, munching.

She leaned on the counter. Some life, but it was a life, and a fairly stable one. Even the voices were passably quiet now, since so long as she kept at the booze they just faded to the general buzz of the background. And there was no lack of booze here. No lack at all.




Space, of course, is very vast. Most folks know nothing of it; only on the larger worlds, where there has been more time, and more science, and more madness and depression, is anything indeed known of space.

And that is really not very much, generally speaking.

Coraline knew a bit. A thing or two. Enough to say with a fair amount of certainty that a star is indeed a star and a world is indeed a world. But that really wasn't her field of expertise. Books were.

They called her the Librarian, and librarian she was. Degree in information technologies, truck full of books, and seven cats rendered her very much a librarian of lore, and she knew exactly what was where and where was what. It was her job, and it was who she was.

At least part of who she was.

There was, of course, a good deal more to it.




It began as a whispering. Something almost, but not entirely, out of sight, out of sound, and out of mind. A shadow of a shadow, except heard, not seen. Whispers at the edge of hearing, and even, as it were, the edge of thought.

She did not even notice them at first. Occasionally they would sneak in even without her noticing, but then as the hours and days went on, they became more insistent, more pressing, until there was nothing to do but listen.

Then they came as an onslaught. When she noticed, she noticed, and then there was simply nothing to do but notice. The voices poured in, beckoning, begging, screaming, asking, crying, shouting, an endless roar of a whisper, the torment of a thousand waves all crashing at once. And she heard them all so clearly, so plainly,

There was no escape, no solace from the torment, simply more, and more, and more. She lost herself in it, lost track of her surroundings, her intent, and everything she was after and was. There was only room for voices, voices, voices. Speaking out of the shadows, never-ending.

She stumbled and continued, lost in the depths of her mind, reeling in the voices never-ending.



If only there were silence amidst the madness. But there was none; there was only madness and more madness, voices, and no silence.

Only voices, and shouting, and clamouring, and no silence amidst the voices, only more shouting and crying and pleading.

There was only the din, the overbearing loudness, the reverberation and roar and the place, the place that was all the same, the place that was all sound and no silence.

If there were sound and also silence, a respite, a sanctuary against the sound.

If there were the silence only distance, alone, without the sound, the sound of the voices, thousands, tens of thousands, never stopping, never ending...

But there was no silence.

Coraline wandered on, lost amidst the madness of the roar within her mind.



She knew nothing. She was no-one. The wind. A whisper and a shadow.

The world was not real.

Others passed her by, but they paid no head. They were not real, and nor was she. Only the voices stood out, in their shout and their roar and their reverberation against the shadowy, flimsy backdrop of the world she saw with eyes. It was nothing.

Only the rock and the shadow, washed by the whirl of voices, so many souls that passed through, so many voices, shouting, shouting, always shouting and never heard. They were meaningless, and still they shouted, because they did not know, they could never know, but they were only the cicada, they were only the whisper, and yet they whispered on.



Whisper and whisper, shout and shout, question and question. The cacophany was never-ending, and yet all were lost within. No single soul stood out, no single voice was heard, only the masses, the unending masses, coming and coming. It was all. It was everything. Voices.

Only voices. No end to the voices, just voices shouting, voices pleading, voices lost without even hope to carry them on, but still echoing even now, for there was no hope here, only nothing, only echos, always echoes. This was the place of echoes, where echoes were only all. Only echos. Nelanor. Echos.

They pleaded, the echos. They called. They whispered secrets and shouted legends, for it was all they knew, and amongst the echos there was nothing, only nothing. If only there were something amidst the nothing, no abyss, no great shadow, no deep darkess that loiters below, only something, a shadow of the world, but something, then. Something to support the voices, the echos the shadows.

But there is only nothing.



She realised she was in a place. She didn't know how she had gotten there, or what she was doing there, or even, for that matter, much of anything at all, but this was a place. Some of the whispers had mentioned places, but as they whispered on, the places faded.

Everything faded. Everything was lost in the whispers, in the shouting, in the din.

There was a cup in front of her. Someone said, quieter and yet somehow louder than all of the others, "You look like you could use some shalott."

She looked at it. Rock, part of her though, staring at it, and then, before she knew what she was doing, that part of her drank it. Amidst the voices she didn't really notice. There was nothing to notice.



It was later. It was clearly later.

And there was only silence.

Nelanor looked up. "It is what the thunder said," she said.

"Sorry?" the barkeep asked.



She was in a bar. It was clearly a bar, though like none she had ever seen before. There were no taps and no vast assortment of myriad bottles such as marked the bars she knew, but there was the bar itself. It was very clearly a bar, long and wodden and polished, and the barman behind with apron and bottles and barrels, ready to pour whatever, so long as he had it, to whoever, so long as he could pay for it.

There was also no lighting in the rest of the room, as far as she could tell, The patrons drank in smoke and gloom, coming forth, perhaps, only as often as they had to. And here, at the bar, there were only the three lanterns. Kerosene, if she had to guess, and no apperture for anything better. This was all they had. They made do, though. People did, when it was as far as they had come, and indeed they were proud of it. They had come this far, after all. They had achieved real lanterns, right?

Or something along those lines. She wasn't sure what was going on, or how she had gotten here. There was, however, another mug in front of her. Had she already had one? It was hard to say.

For lack of a better idea she drank it.



For the first time in she didn't know how long, Coraline Henderson was thinking clearly. At least relatively so. She was also, from the feel of it, pretty decently drunk.




It was paperwork. The paperwork of the multiverse, niggling for completion.

Most of the paperwork was automatic, the random details filled in according to sender and origin, but there were two things that needed a specific answer. Choices on the part of the petitioner. Names. A place and a person. A castle and a king. Black sand everywhere. So much sand.

She blinked, not that there was anything much to see. Curtains, wall. No sand. Just a metaphor like the castle itself. Two names. Castle and king. Moonlight speckled across the curtains, trailing shadows of leaves.

"Here reigns king of the sandcastle, Kyrule of Arling Tor," she whispered. Sand drifted silently around her.

There. Paperwork filled out.

With that she fell asleep.




(possibly champion's/deathgods')

Three hundred years ago, Coraline Henderson, then going by the name Anja Torn, had been a regular customer at the Empty Cistern, even then one of the oldest taverns in the city.

It wasn't that the place was close to where she was staying (because it wasn't), it wasn't because it had good service (because it really didn't), it wasn't because the clientelle were respectable (if anything they were the opposite), and it wasn't because the booze was good, although it actually was most of the time. The reason she went here because because nobody cared - eveyrone here was here because nobody cared; nobody cared about the law, or about propriety, or about anyone else's business. People came, they went, and they got, if not exactly discretion, a good heaping dose of apathy.

So Coraline got no trouble here walking in dressed like an acolyte of Kyrule and ordering a triple-dose of 20-stone shalott, even though it was well-known that the acolytes were not permitted alcohol. Indeed, it seemed some of the temple's higher-ups had a made a point of visiting all the bars in town to let them know, just to be clear, but they would have skipped this one.

She got the same trouble as everyone else, of course. The general suspicion, shifty-eyed watching as she passed, the curiosity of what might be wrong with her that was gone as soon as she was, but that was really it. All in all, the Cistern of the time was the sort of place where the more normal you looked, the better off you were - if you looked normal, people had to guess, and the imagination often filled in far worse nightmares than reality ever could. And aside from the robes, Coraline looked pretty normal.

The only real trouble had come the first night she was there, or might have had she responded differently.

She had been sitting at the bar minding her shalott, wondering vaguely how drunk she could safely get and still maintain her cover, when someone sat down next to her and said, "Hey, you going to stop that?"

Not even sure what she should be stopping, she looked around. Turned out someone had died, something which often happened there - a body was slumped over a table and it sounded like people were bidding.

She took this in and just said, "I don't want him."

Somehow that settled it. The guy grinned gappily at her, slapped her on the shoulder, and left. This was the nature of the place, lawless, godless, and ruled only by the order of commerce, of what people wanted. And if someone died, that was valuable.

Of course, had she really been an acolyte of Kyrule and not just posing as one, that could have presented something of a problem. The religion was very much against the mistreatement of the dead, and selling bodies very much qualified as mistreatment in their book. But she wasn't one, and in her somewhat more practical view of things, the dead were already dead. They weren't apt to care.

Nor was anyone else, there. And so, during her stay in the city of Soransie, she came to frequent the place.




"I have spoken and that is final. Shut up leave me alone I'm drinking."




Basic Necromancy was at four. It covered the general theories, and would begin practical studies in reanimation in the next few weeks. Coraline was good at theories, but the reanimation part worried her. It sounded suspiciously like magic, and she had no idea if she could actually do magic.

Not normal magic, at any rate.




"It's not that I'm incredibly drunk," she said. "It's just that I am incredibly drunk."




"It's not like I'm worried. If I could think straight about anything I'd be worried, though."




"What exactly are doomguides?"

"What does it sound like? They guide you to your doom."

"Er..."

"Naw, seriously, they're just like... they help folks pass into the next life, and coordinate things with the undertakers so their remains are handled properly. It's not very interesting."

"I see."

"Why?"

"Someone once said I should have been a doomguide."

"Why?"

"I killed her."

He sputtered. "And that was why..." He stopped. "Er, wait, why?"

"She asked me to. Said she'd 'been taken'." Coraline took a long drink and shook her head. "The whole area had been decimated."

"What... by the Death of Souls?"

She shrugged. "Dunno. The elves called it the 'scourge'?"

"Yeah, that's the Death of Souls." He looked at her. "Fuck, woman, that... you did good."

"Did I?"

"Yes. And she was right. That is what a doomguide would have done."




"Francis Door," she said.

He took a long drink. "Yeah?"

"You know the story?"

"Yeah."

She downed her shalott and pushed the mug forward for a refill. "What do you make of it?"

He took a long breath. "Crazy shit," he said. "Damn crazy shit."

"How so?"

"Well," he paused, thinking. "You got this guy. A fuckin' normal guy. He loves a few things in life, his god, his work, his woman, and for them he'd give up anything. For any one of them he'd give up the others, if it came to it."

"Is that what happened?"

"Near enough. It was his wife's sister, if you can believe that. All the stories say it was his wife, what say it at all, but it was her fucking sister."

"What..."

"Right?"

They minded their drinks. Things swam swimmily around them, objects in space. They watched, and listened, and drank.

"Some folks would do anything for family," Coraline said. "Is that so wrong?"

He stared at his shalott and tipped it randomly. "'Snothing wrong or right about it. That's just it. Just shit what happens, an' choices what don't work out.

"'Swhat makes it all so fucked up."




"And you came out of there? Alive?" He looked at her suspiciously. "And are you... sane?"

"Define 'sane'," Coraline said.

He snorted. "Yeah, really." But he also relaxed, apparently satisfied.




What happens to you, little dreamer? Where do you wind up, you and your stories and your dreams and your loss? How does it go, if written down in words, without the words themselves to guide?